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‘Son of the Soil’ Review: Suspenseful and Gritty, Yet Caught in Plot Convenience Lacking Depth

Francis Ikuerowo - March 6, 2026

‘Lagos to Gomorrah’ Reduces Complex Christian Experience to Exaggerated Moral Caricature

Francis Ikuerowo - February 27, 2026

‘Under the Same Roof’ Review: A Soft, Painful, and Beautiful Queer Awakening

Francis Ikuerowo - February 13, 2026

‘A Place With You’ Challenges Society’s Rules on Love, Widowhood, and Class

Francis Ikuerowo - February 6, 2026

Osas Okonyon: Embodying the Future of Nollywood

Adekunle Fajana - February 3, 2026

Herdsmen Crisis: Mr Macaroni Queries the Killing of Innocent Nigerians

Comedian Mr Macaroni decries sex-for-roles norm In Nollywood

Oluwatobi Olusola - April 30, 2021 0

‘Catch.er’ is Completely Lacking in Character – A Review

Editor - March 30, 2021 0

‘Who’s the Boss’: The Most Annoying Protagonist — A Review

Editor - March 23, 2021 0

‘Namaste Wahala’: Just Manage This Love Story – A Review

Editor - February 16, 2021 0

‘Boundaries’: An Incredibly Dumbed-Down Lesson in Feminism – A Review

Editor - January 12, 2021 0

‘Omo Ghetto (The Saga)’ is an Ambitious and Delightful Project –...

Editor - January 4, 2021 0

‘Rebecca’ vs ‘Becky’: An Unfair Comparison – A Review

Editor - October 28, 2020 0

‘The Eve’: Bad Writing Strikes Again – A Review

Editor - October 21, 2020 0

‘Emily in Paris’ is only a good show in 2005 –...

Editor - October 14, 2020 0

With Oloture, Nollywood Makes Nigeria Proud

Raphel Adeniran - October 8, 2020 0

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