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‘Son of the Soil’ Review: Suspenseful and Gritty, Yet Caught in Plot Convenience Lacking Depth
Francis Ikuerowo
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March 6, 2026
0
Wizkid and Asake’s ‘Jogodo’ Breaks Records with 49 Straight Days at No.1 on...
Dike Victor
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March 5, 2026
0
‘Lagos to Gomorrah’ Reduces Complex Christian Experience to Exaggerated Moral Caricature
Francis Ikuerowo
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February 27, 2026
0
Fela: What’s the Lore Behind Anikulapo-Kuti’s Trans Generational Influence
Adekunle Fajana
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February 23, 2026
0
‘Under the Same Roof’ Review: A Soft, Painful, and Beautiful Queer Awakening
Francis Ikuerowo
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February 13, 2026
0
Hot Body: Here’s How Ayra Starr Emerged as Gen Z’s Most...
Adekunle Fajana
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September 27, 2025
0
‘The Waiter’ Review: AY’s Endless “Warri” Routine in a Film That...
Francis Ikuerowo
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September 19, 2025
0
Rema: The Day a 19-Year-Old Boy Changed the Music Industry
Adekunle Fajana
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September 16, 2025
0
Mr Money With the Vibes: Asake’s Impressive Combustion in 2022
Adekunle Fajana
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September 13, 2025
0
Netflix’s ‘Praise This’ Shines in Musical Performance but Falters in Exploring...
Francis Ikuerowo
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September 12, 2025
0
Oboli’s And Then Came Grace: The Temptation of ‘Playing God’ in...
Francis Ikuerowo
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September 5, 2025
0
Nollywood: What Makes Modern Comedy Movies Monotonous?
Adekunle Fajana
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September 4, 2025
0
Laughter, Tears & Goosebumps: What Made Fireboy’s Debut Album So Special
Adekunle Fajana
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September 4, 2025
0
Dead Poets Society Review: A Stirring Story of Youth, Pressure, and...
Francis Ikuerowo
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August 29, 2025
0
Lazy Writing, No Suspense: Moses Inwang’s Devil Is A Liar Lies...
Francis Ikuerowo
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August 22, 2025
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