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Gen Z Directors Storm Hollywood and Dominate the Box Office
Oluwadamilola Ologbon
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June 5, 2026
0
‘Love in Ghetto’ Review: A Familiar Nollywood Romance Too Predictable in its Uneven...
Francis Ikuerowo
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June 5, 2026
0
MOVIE REVIEW: The House Manager reminds you that rich homes hide the worst...
Francis Ikuerowo
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May 29, 2026
0
‘Anjola’ Review: A Sobering Exposition on the Emotional Weight of Childlessness and Surrogacy...
Francis Ikuerowo
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May 22, 2026
0
Nobody Wins: How Sarz and Wurld’s 2019 Hit, ‘Ego’ Defines Modern Relationships
Adekunle Fajana
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May 17, 2026
0
Mr Money With the Vibes: Asake’s Impressive Combustion in 2022
Adekunle Fajana
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September 13, 2025
0
Netflix’s ‘Praise This’ Shines in Musical Performance but Falters in Exploring...
Francis Ikuerowo
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September 12, 2025
0
Oboli’s And Then Came Grace: The Temptation of ‘Playing God’ in...
Francis Ikuerowo
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September 5, 2025
0
Nollywood: What Makes Modern Comedy Movies Monotonous?
Adekunle Fajana
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September 4, 2025
0
Laughter, Tears & Goosebumps: What Made Fireboy’s Debut Album So Special
Adekunle Fajana
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September 4, 2025
0
Dead Poets Society Review: A Stirring Story of Youth, Pressure, and...
Francis Ikuerowo
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August 29, 2025
0
Lazy Writing, No Suspense: Moses Inwang’s Devil Is A Liar Lies...
Francis Ikuerowo
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August 22, 2025
0
Kwaku The Traveller: “Of Course, I F**ked Up!”- How Good Was...
Adekunle Fajana
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August 21, 2025
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‘Finding Nina’ Review: A Stunning Northern Portrait Undone by Weak Character...
Francis Ikuerowo
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August 15, 2025
0
‘Zikoko Life’ Review: ‘Something Sweet’ Romanticises Hope, Not What Single Mothers...
Francis Ikuerowo
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August 8, 2025
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