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Gen Z Directors Storm Hollywood and Dominate the Box Office
Oluwadamilola Ologbon
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June 5, 2026
0
‘Love in Ghetto’ Review: A Familiar Nollywood Romance Too Predictable in its Uneven...
Francis Ikuerowo
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June 5, 2026
0
MOVIE REVIEW: The House Manager reminds you that rich homes hide the worst...
Francis Ikuerowo
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May 29, 2026
0
‘Anjola’ Review: A Sobering Exposition on the Emotional Weight of Childlessness and Surrogacy...
Francis Ikuerowo
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May 22, 2026
0
Nobody Wins: How Sarz and Wurld’s 2019 Hit, ‘Ego’ Defines Modern Relationships
Adekunle Fajana
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May 17, 2026
0
‘From Big Screens to Streams’: Deyemi Okanlawon on Nollywood’s YouTube Migration
Dike Victor
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August 5, 2025
0
‘I Didn’t Make the Auditions!’– Bucci Franklin Reveals Shocking Journey...
Dike Victor
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August 4, 2025
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Why Burna Boy is Nigeria’s Number One – Clarence Peters Explains
Odegwa Uwaifo
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August 4, 2025
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‘To Kill A Monkey’ Star Actor, Bucci Franklin Opens Up About...
Dike Victor
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August 3, 2025
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‘The Music Industry Is Run by the Devil’ – 9ice Drops...
Dike Victor
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August 3, 2025
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“My Body, God’s Temple” Review: A Bold Yet Uneven Look at...
Francis Ikuerowo
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August 1, 2025
0
Badman Gangsta: Asake Continues Pursuit of Relevance in New Single
Adekunle Fajana
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July 25, 2025
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Review: Kemi Adetiba’s To Kill A Monkey Flattens a Promising Portrait...
Francis Ikuerowo
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July 25, 2025
0
Agenda Setting Theory and How the Entertainment Industry Ruined Modern Relationships...
Adekunle Fajana
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July 20, 2025
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Bolaji Ogunmola: Creating Spaces for Dark Faces in Nollywood
Adekunle Fajana
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July 19, 2025
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